Spencer: Hey Team! Thank you so much for being here. There is SO much great costume design in the Outstanding Period Costumes category this year. I also think it is safe to say Period Costumes is the favorite here at The Art of Costume, so I know you all have many thoughts! Let’s go around and talk about your favorites and why! Let’s start with Mariana, a big fan of period costumes!
Mariana: Hi everyone! Well, where to begin? I am a fan of period pieces, and this year’s nominees filled my heart with pure joy. One of my favorites will be The Queen’s Gambit, designed by Gabriele Binder. There is so much drama and passion in these costumes, which at the same time are accurate to the time period and work brilliantly for storytelling purposes. I love how Beth’s style transforms through the years and cities she visits and tells us who she really is!
My second favorite will have to be The Crown, designed by Amy Roberts. Every single costume worn on this TV Show has always been a masterpiece, and this season, with Princess Diana’s stunning wedding dress, was beyond what I imagined!
Spencer: Two brilliant choices Mariana! Let’s hear from Candice next.
Candice: I will say typically, Regency-era costumes are not my favorite. However, I was hooked on Bridgerton when the first trailer was released. Ellen Mirojnick and John W. Glaser’s take and designs on the era have made me reconsider my previous opinions on the time frame. I am a HUGE fan of the Featherington Family and their costumes in particular. The bright, bold colors and embellishments drew me in. A close second would be the costumes designed for the Queen.
Speaking of Queens, The Queen’s Gambit’s costumes were beyond words. The subtle nods to chess within the costumes were brilliant while conveying the complicated character’s nuances.
This is such a hard category, Ratched was awe-inspiring, and the show with their costume contest saved Halloween during a pandemic while many were unable to be creative with friends. Halloween is my favorite holiday and the costumes that fans re-created during October last year were a testament to Lou Eyrichs’s talent and storytelling through clothes.
Spencer: Ah yes, Ratched was such a great show. I need it to come back like now… Elizabeth I would love to hear your picks.
Elizabeth: Hello everyone! There were so many good period pieces this year, but I really loved Bridgeton, and the costumes immediately grabbed my attention. The Regency era is a particular favorite of mine, and I loved how Ellen Mirojnick and John W. Glaser truly brought the costumes to life. While the overall style and silhouettes of the costumes remain faithful to the Regency era, the designers fill them with color and embellishments that bring a modern, energetic flare to Bridgeton.
A close second favorite this year is The Queen’s Gambit. While not the flashy, attention-grabbing drama Bridgeton is, Gabriele Binder creates a thoughtful, meaningful wardrobe that reflects its heroine’s inner passions and feelings.
Spencer: Bridgerton and The Queen’s Gambit seem quit popular here! Thank you Elizabeth, now I would love to hear from Csilla!
Csilla: Hey Everyone! It is tough to choose just one from this category; all the shows and their costume designers were terrific! But if I had to choose one, my favorite has to be Ratched. That show had such a brilliant color palette, and the costumes from Lou Eyrich were just stunning. I love the end of the 40s, the beginning of the 50s era, and One Flew Over the Cuckoo’s Nest, so I was excited to see the back story of Nurse Ratched. The aesthetic of the whole show was beautiful but dangerous and scary, and these mixed feelings about the characters were present in every silhouette, even in the uniforms.
My close second favorite is the Queen’s Gambit. I agree with the rest of the team on that completely. Such wonderful designs from Gabriele Binder.
Spencer: Thank you so much Csilla. Well, I guess it’s my turn!
My favorite costumes within this category are easily to Netflix’s Halston, with costumes designed by Jeriana San Juan. I fell in love with this show, primarily because of the costuming. She had so much ground to cover, so many decades of research, and brought it all together perfectly. The tie-dye collection, ultra-suede shirt dresses, The Battle of Versailles, Studio 54, Martha Graham’s Persephone – there was so much, and every single costume stood strong. On top of all of the brilliant costuming, Jeriana also worked alongside actor Ewan McGregor to teach him the ways of the designer, coaching him through the process of becoming Halston.
This is Jeriana’s year in my opinion, but I am still in love with every other nominated show in this category – literally, all of them were amazing. It’s a tough call!
Thank you all so much for joining me! I can’t wait to see how this all plays out!