2021 Emmys Roundtable – Outstanding Fantasy/Sci-Fi Costumes

Spencer: Hey Team! Thank you so much for being here. There is SO much great costume design in the Outstanding Fantasy/Sci-Fi Costumes category this year. On a personal note, this is always my favorite category, so I am just beyond excited. Let’s go around and talk about your favorites, and why! Let’s start with Candice!

Candice: I loved Lovecraft Country. Dayna Pink’s costumes are genius. It was the only reason I paid for an HBO subscription. 

WandaVision was another favorite of mine. I usually am not a fan of the ’70s, but I am obsessed with Geraldine’s 70’s ensemble from episode 3. However, I loved it even more after listening to Spencer and Elizabeth’s podcast. I never noticed the subtle hints through costume when I watched it each week. I had many “Oh My, how did I miss that” moments when listening to the podcast.  

Umbrella Academy is a top favorite of mine.  The oddball characters were brilliantly executed. I need every costume designed for Kate Walsh, the Handler, in my closet now. Christopher Hargadon did a great job!

Spencer: Candice, I couldn’t agree more. All of your picks were so fun! Now I would love to hear from Elizabeth. You and I share a great love for Fantasy/Sci-Fi! What were some of your favorites this year?

Elizabeth: Hey everyone! My personal favorite this year has to be WandaVision. While it’s not a classic Sci-Fi show in visual terms, the costumes in WandaVision help tell a complex story of how we process grief. In its nominated episode, Filmed Before a Live Studio Audience, Wanda is in the denial stage of her grief and is creating her idealized version of the perfect 1950’s sitcom. The costumes are soft with full fluffy skirts, frilly aprons, and feathery lingerie create a cocoon for Wanda, sheltering her from her grief. Mayes C. Rubeo truly turns emotions into costume and I love that about WandaVsion

WandaVision – Courtesy of Disney +

Spencer: Such a great point Elizabeth. WandaVision was filled with so much symbolism.

For me, I am a HUGE fan of Dayna Pink and her work on Lovecraft Country. This was by far one of my favorite shows of the year, and I thought Dayna did such an incredible job. Dayna not only mastered the 1950’s period costume, but she also had to work with lots of time traveling – exploring the 1920’s, The Korean War, The Kingdom of Dahomey, and the future! Not to mention all of the horror elements that led to much aging and dyeing of costumes. I would personally love to see Dayna win this year’s award.

However, we all know I am a huge nerd. I LOVED WandaVision – it gave me so much life. I also was obsessed with the second season of The Mandalorian. Shawna Trpcic has such an exciting task, bringing to life so many characters we love in animated worlds such as Ahsoka Tano or bringing back huge fan favorites such as Boba Fett and Luke Skywalker. This is a tough category.

Spencer: Thank you both for joining me! Before you go, do you have any good sci-fi /fantasy shows or films to recommend?

Candice: I recommend and loved The Nevers. It is period mixed with SciFi. The Victorian-inspired costumes and setting are as intriguing as the storyline. I want to rewatch The Witcher before the premiere of Season 2. I love Motherland: Fort Salem on Free Form. The story of witches is told from a different angle, witch militia, working with the military and against other witches. Stranger Things season 1-3 if you haven’t watched it and have to wait an eternity like the rest of us for the next season. I am currently watching and enjoying Fantasy Island. Each guest who visits the island learns the fantasy they want is different than what they need. 

Elizabeth: I can not recommend Doom Patrol enough! It’s SciFi and superheroes dialed to a hundred with a great balance of comedy and drama. Also, the costumes are diverse and interesting in every episode.
Spencer: If you are not watching What We Do In The Shadows, you are seriously missing out. The new season is out, and costume designer Laura Montgomery is doing a fabulous job! Check it out!

Vote For Your Favorite Fantasy/Sci-Fi Costumes Below!

The 2021 Emmy Nominations – Outstanding Costumes

I am so beyond excited to share with you all the complete 2021 Emmy Nominations – Outstanding Costumes list. There is so much talent within this list, including many great friends of The Art of Costume! Congratulations to all of the talented costume designers, assistant costume designers, costume supervisors, and the countless crewmembers worldwide that helped bring these brilliant projects come to life.

Tune in Sunday, September 19 for the 73rd Emmy Awards hosted by Cedric the Entertainer on CBS and Paramount+.


2021 Emmy Nominations – Outstanding Costumes

Outstanding Fantasy/Sci-Fi Costumes

The Handmaid’s Tale • Nightshade • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak
Pictures

Debra Hanson, Costume Designer
Jane Flanders, Costume Supervisor
Darci Cheyne, Assistant Costume Designer

Lovecraft Country • I Am. • HBO • HBO in association with afemme, Monkeypaw, Bad Robot, and Warner Bros. Television

Dayna Pink, Costume Designer
Zachary Sheets, Costume Supervisor
Terry Anderson, Assistant Costume Designer

The Mandalorian • Chapter 13: The Jedi • Disney+ • Lucasfilm Ltd.

Shawna Trpcic, Costume Designer
Julie Robar, Costume Supervisor
Sara Fox, Assistant Costume Designer

The Umbrella Academy • The Frankel Footage • Netflix • UCP for Netflix

Christopher Hargadon, Costume Designer
Heather Crepp, Assistant Costume Designer William Ng, Assistant Costume Designer
Jane Fieber, Costume Supervisor

WandaVision • Filmed Before A Live Studio Audience • Disney+ • Marvel Studios

Mayes C. Rubeo, Costume Designer
Joseph Feltus, Assistant Costume Designer
Daniel Selon, Assistant Costume Designer
Virginia Burton, Costume Supervisor

Outstanding Contemporary Costumes

black-ish • Our Wedding Dre • ABC • ABC Signature

Michelle R. Cole, Costume Designer
Juliann M. Smith DeVito, Costume Supervisor

Euphoria • F**k Anyone Who’s Not A Sea Blob • HBO • HBO in association with Reasonable Bunch, A24, Little Lamb, Dreamcrew, ADD Content Agency | HOT | Tedy Productions

Heidi Bivens, Costume Designer
Devon Patterson, Costume Supervisor
Angelina Vitto, Assistant Costume Designer

Hacks • There Is No Line (Pilot) • HBO Max • Universal Television in association with Paulilu, First Thought Productions,
Fremulon Productions, 3 Arts Entertainment

Kathleen Felix-Hager, Costume Designer
Karen Bellamy, Costume Supervisor

I May Destroy You • Social Media Is A Great Way To Connect • HBO • HBO in association with BBC, Various Artists Limited, FALKNA

Lynsey Moore, Costume Designer
Rosie Lack, Assistant Costume Designer
Debbie Roberts, Costume Supervisor

Mare Of Easttown • Miss Lady Hawk Herself • HBO • HBO in association with wiip Studios, The Low Dweller Productions,
Juggle Productions, Mayhem and Zobot Projects

Meghan Kasperlik, Costume Designer
Francisco Stoll, Costume Supervisor
Taylor Smith, Costume Supervisor
Laura Downing, Costume Supervisor
Jennifer Hryniw, Assistant Costume Designer

The Politician • New York State Of Mind • Netflix • A Fox21 Television Studios Production for Netflix

Claire Parkinson, Costume Designer
Lily Parkinson, Assistant Costume Designer
James Hammer, Assistant Costume Designer
Laura Steinmann, Costume Supervisor

Pose • Series Finale • FX Networks • FX Productions in association with 20th Century Television

Analucia McGorty, Costume Designer
Michelle Roy, Assistant Costume Designer
Linda Giammarese, Costume Supervisor

Bridgerton • Diamond Of The First Water • Netflix • A Netflix Original Series in association with shondalandmedia

Ellen Mirojnick, Costume Designer
John W. Glaser III, Costume Designer
Sanaz Missaghian, Costume Supervisor
Kenny Crouch, Costume Supervisor

The Crown • Terra Nullius • Netflix • Left Bank Pictures in association with Sony Pictures Television for Netflix

Amy Roberts, Costume Designer
Sidonie Roberts, Assistant Costume Designer
Giles Gale, Costume Supervisor

Halston • Versailles • Netflix • A Netflix Original Series

Jeriana San Juan, Costume Designer
Catherine Crabtree, Assistant Costume Designer
Cailey Breneman, Assistant Costume Designer
Anne Newton-Harding, Costume Supervisor


The Queen’s Gambit • End Game • Netflix • Netflix

Gabriele Binder, Costume Designer
Gina Krauss, Assistant Costume Designer
Katrin Hoffmann, Assistant Costume Designer
Nanrose Buchmann, Assistant Costume Designer
Sparka Lee Hall, Costume Supervisor

Ratched • Pilot • Netflix • A Fox21 Television Studios Production for Netflix

Lou Eyrich, Costume Designer
Rebecca Guzzi, Costume Designer
Allison Agler, Assistant Costume Designer
Betsy Glick, Costume Supervisor

From Animation to Live-Action: Behind The Costumes of The Mandalorian

Ahsoka Tano (Rosario Dawson) in Lucasfilm’s THE MANDALORIAN, season two, exclusively on Disney+, © 2020 Lucasfilm Ltd. &TM. All Rights Reserved.

Going into this new year, many things seem uncertain. However, one thing I think we can all agree on is that The Mandalorian is one of the greatest shows out there. Lightsaber fights, stormtroopers, explosions, exciting worlds, new and returning characters, Baby Yoda… wait I mean, Grogu. The second season of The Mandalorian, a Disney + original, took audiences to exciting new heights. One of the more thrilling features of the second season was the introduction of characters that many Star Wars fans have come to know and love, Bo-Katan Kryze and Ahsoka Tano, two characters originating from the animated Star Wars shows, Star Wars: The Clone Wars and Star Wars: Rebels.

I spoke with season 2 costume designer, Shawna Trpcic, about this exciting project and the incredible task of bringing these two animated fan favorites into the live-action, Emmy Award-Winning world of The Mandalorian.


Spencer Williams: Hi Shawna! Thank you so much for talking with me and congratulations on an incredible season of The Mandalorian! I had so much fun watching each week and I miss it dearly! What was your experience like designing costumes for The Mandalorian, and now being a part of the Star Wars universe? 

Shawna Trpcic: Hi Spencer! The experience was like no other – Jon has brought together a band of incredible artists and technicians, but most importantly a group of Star Wars fans through and through. The show is fast-paced and a huge undertaking and we all want to give our all for every moment and every look – it’s the most glorious and rewarding challenge – I often squeal with childlike excitement when a costume is finished and on the actor.

Spencer: I can only imagine! So I have really been looking forward to talking to you about this. For years, some of our favorite characters have only been seen in animated television shows such as Star Wars: The Clone Wars or Star Wars: Rebels. As a costume designer, you played a big role in bringing to life some serious fan-favorites, Bo-Katan Kryze (played by Katee Sackhoff) and Ahsoka Tano (played by Rosario Dawson). What was your reaction when you realized the weight of this exciting task?

(L-R): Koska Reeves (Mercedes Varnado) and Bo-Katan Kryze (Katee Sackhoff) in Lucasfilm’s THE MANDALORIAN, season two, exclusively on Disney+. © 2020 Lucasfilm Ltd. & ™. All Rights Reserved. Photo by Francois Duhamel

Shawna: I have been going to Comic-Con in San Diego for years and years, and have great respect and understanding for the legacy of these iconic characters – by staying loyal to Dave Filoni’s vision created in the animation but applying my knowledge of how a costume must work for live-action and movement – I knew we’d created something magical. When I asked Jose Fernandez at Ironhead Studios to build the armor for the two ladies I was very clear that maintaining the strong feminine shape Dave had in the animation was very important to me. 

Spencer: Can you take us through your process of adapting these two characters from animation into a live-action world? How did you decide on what elements to carry over from prior incarnations of the character’s costumes? 

Shawna: Dave guided me very carefully through the helmets – the angle of the cheekbones, the slant of the eyes, the flare at the bottom. The helmet is the first thing you see and it communicates so much – getting that right and the slight differences in the colors were imperative

The Mandalorian (Pedro Pascal) and Bo-Katan Kryze (Katee Sackhoff) in Lucasfilm’s THE MANDALORIAN, season two, exclusively on Disney+. © 2020 Lucasfilm Ltd. & ™. All Rights Reserved. Photo by Francois Duhamel

Spencer: What sort of challenges did you face in designing these costumes? Both characters see a lot of action scenes such as gun-fights and lightsaber duels. All of this keeping in mind that there are also some intricate headpieces and armor involved.

Shawna: We did tear out a few seams in the action – also after a week of intense fighting Katee was losing weight and gaining more muscle. The uniform was shifting and frequent alterations were needed to keep the shape we intended. We did add stretch panels throughout to ease the strain on the seams

Spencer: When we first meet Ahsoka in Star Wars: The Clone Wars, Ahsoka is a young padawan. Now, Ahsoka is a wise, experienced figure. I believe you can track her journey and overall character development through her costumes over the years. What was the thought process behind her style evolution seen in The Mandalorian?

Shawna: I relied heavily on Dave’s direction for her – he gave me his research that influenced his decisions and I worked off of them to create the live-action version – even going so far as to have fabric made to give her the journey worn cloak – and we made many attempts at the Jedi hood before we got it right as well.

Ahsoka Tano (Rosario Dawson) and the Magistrate (Diana Lee Inosanto) in Lucasfilm’s THE MANDALORIAN, season two, exclusively on Disney+. © 2020 Lucasfilm Ltd. & TM. All Rights Reserved.

Spencer: Is there an element to either of these two costumes that just really brought the character to life that excited you? I noticed Ahsoka had a braid tied around her belt that looked similar to her Padawan braid made of “Silka Beads”. Hmmm?  

Shawna: *laughs* It may or may not be the braid – some influences are like art – up to the interpretation of the viewer. Every detail of her costume means something and comes from her character’s evolution – but it’s important to me to let the viewer participate in the storytelling. 

Spencer: I love that, so very much! Thank you again Shawna for speaking with me! This was a lot of fun. I look forward to catching up with you again in the future.

Shawna: Thank you, Spencer!

The Child and Ahsoka Tano (Rosario Dawson) in Lucasfilm’s THE MANDALORIAN, season two. ©2020 Lucasfilm Ltd. & TM. All Rights Reserved. Photo by Photo by Justin Lubin

Watch the Second season of The Mandalorian, now streaming on Disney +

For another Behind The Scenes look at The Mandalorian costumes, watch Disney Gallery / Star Wars: The Mandalorian, featuring commentary by Shawna Trpcic – streaming on Disney +